KID BALTAN, TOM DISSEVELT, HENK BADINGS, DICK RAAIJMAKERS - Popular Electronics: Early Dutch Electronic Music From Philips Research Laboratories (1956 - 1963)

KID BALTAN, TOM DISSEVELT, HENK BADINGS, DICK RAAIJMAKERS
1963)
4xCD box

£45.00
Condition: NM / NM
Label: Basta
Catalogue No: 30-9141-2
Basta does its usual excellent job on this eye-opening compilation of 50s-early 60s Dutch electronic music. In addition to the generous selection of way-out sounds, the set includes several booklets giving us the lowdown on the boffins involved.
  • 1-16 Whirling (Sonic R-Entry)
  • 1-17 Syncopation (Orbit Aurora)
  • 1-18 Drifting (Moon Maid)
  • 1-19 Vibration (The Visitor From Inner Space)
  • 1-20 Mechanical Motions (The Ray Makers)
  • 1-21 Intersection (Twilight Ozone)
  • 1-7 Song Of The Second Moon (Version 2)
  • 1-8 Night Train Blues
  • 1-9 Colonel Bogey
  • 2-1 Tweeklank (Contrasts)
  • 2-2 Pianoforte
  • 2-3 Variations Électroniques
  • 2-4 Achter De Schermen
  • 2-5 Fuel For The Future
  • 2-6 Bekaert: Het Andere Woord Voor Staaldraad
  • 2-7 Ein Reiterstück
  • 4-1 Song Of The Second Moon (Original Version)
  • 4-10 Coppélia Tune
  • 4-11 Sign Tune
  • 4-2 Syncopation (Alternate Version)
  • 4-21 Sound Examples - Group 1
  • 4-22 Sound Examples - Group 2
  • 4-23 Sound Examples - Group 3
  • 4-28 Electronic Boogie Woogie
  • 4-29 Opening Sequence
  • 4-3 12-Tone Composition For The Skymasters
  • 4-30 First Melody
  • 4-31 First Melody Transposed
  • 4-32 Chord Of Combined Sounds
  • 4-33 Bass Pattern
  • 4-34 Rhythm Loop With Bass Pattern
  • 4-35 Variant
  • 4-36 Chord Sequence With Sine Wave Tones
  • 4-37 Second Melody
  • 4-38 Arpeggio With Echo
  • 4-39 Transposed Piano Chord Sequence
  • 4-4 Intersection (Early Version)
  • 4-40 Same As Above With Overdub
  • 4-41 First Melody, Variant
  • 4-42 First Melody, Canonic Setting
  • 4-43 First Melody, Canonic Setting, Different Version
  • 4-44 Fast Broken Chord Sequence
  • 4-45 Closing Sequence With Echo
  • 4-46 Chord Of Combined Sounds, Noise Effect
  • 4-47 Reversed Echoing Piano Chords, Continuation
  • 4-48 Background Texture For Quiz-Tune
  • 4-49 Multi-Layered Laughter
  • 4-5 Tropicolours (Early Version)
  • 4-50 Basic Melody
  • 4-51 Reversed Chords, Leading Into Melodic Continuation
  • 4-52 Fast Transposed Piano Chord Sequence
  • 4-53 Second Melody
  • 4-54 Bass Pattern With Rhythm Loop
  • 4-55 Fast Transposed Piano Chord Sequence With Echo
  • 4-56 Repeated Figure With Echo
  • 4-57 Short Oscillator Glissandi
  • 4-58 Second Melody, Electronically Chopped, With Echo
  • 4-59 Short Oscillator Glissandi With Echo, Leading Into Broken Chord Sequence
  • 4-6 Waltzing Mathilda (Early Version)
  • 4-60 Reversed Chord Sequence
  • 4-61 Closing Chord Sequence, Leading Into Glissando Upwards
  • 4-62 Broken Chord Sequence With Echo And Background
  • 4-63 Mixture Of Upward Glissandi, Leading Into High Electronic Sound
  • 4-64 Sequence Of Three Complex Electronic Glissandi Chords With Echo
  • 4-65 Space Effect No.1
  • 4-66 Two Alternating Chords With Echo
  • 4-67 Melody With Electronic Bell Sounds
  • 4-68 Percussive Chord Sequence 1
  • 4-69 Bass Pattern
  • 4-7 Quiz Tune For VARA Television
  • 4-70 Chord Sequence No.2
  • 4-71 Repeating Tympani-Like Tone
  • 4-72 Repeating Harp Figure
  • 4-73 Bass Pattern
  • 4-74 Retro-Chord Sequence
  • 4-75 Melody With Amplitude Modulation
  • 4-76 Bass Pattern No.3
  • 4-77 Space Effect Cross Fading Into Alternating Chords
  • 4-78 Sustained Chord
  • 4-79 Repeating Pentatonic Figure 1
  • 4-8 Limburg’s National Anthem
  • 4-80 Space Effect No.2 (Sine Tone Glissandi)
  • 4-81 Sequence No.1
  • 4-82 Sequence No.2
  • 4-83 Space Effects With Echo
  • 4-84 Optical Siren (Sound Colour Melody)
  • 4-85 Noise Attacks
  • 4-86 Sequence No.3
  • 4-87 Sequence Of Chords With Retros
  • 4-88 Sequence No.4
  • 4-89 Sequence No.5
  • 4-9 Bell Tune
  • 4-90 Rhythmic Tape Loop
  • 4-91 Chord With Retro And Amplitude Modulation
  • 4-92 Metal Sound With Echo
  • 4-93 Bass Pattern No.1
  • 4-94 Chord Sequence Cut-Out Sounds
  • 4-95 Bass Pattern No.2
  • 4-96 Same Pattern, High Pitched
  • 4-97 Spoken Letter From Fred Judd To Tom Dissevelt

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