This 2016 album "is, in fact, a fantasia that exists amid extended-length masterworks such as Manuel Gottsching’s E2-E4 or Lindstrøm’s Where You Go I Go Too; the analog-gear live sets currently practiced by the likes of Magic Mountain High, Reagenz, and Blondes; and the dub-wise synthesizer music of global sprites such as Francis Bebey and the Yellow Magic Orchestra..."