On ‘Kofū’, Meitei masterfully closes his trilogy of lost Japanese moods with an engaging interrogation of artforms and aesthetics as a provocation — or, as fashioned in the album’s subtitle, a “satire of old Japanese aesthetics”. Each entry’s distinct flavour has earned Meitei acclaim for conjuring a bygone culture through his transportive form of ambient music. ‘Kofū’ arrives as a deconstruction of this approach. His first release with KITCHEN. LABEL, Meitei has quietly defied expectations set by his previous two albums, while continuing to challenge modern notions of Japanese sounds.
- A1 Kintsugi
- A2 Man'yō
- A3 Oiran I
- A4 Sadayakko
- A5 En'nichi
- A6 Nyōbō
- A7 Urameshi-ya
- B1 Oiran II
- B2 Otojirō
- B3 Shōnen
- B4 Kyōshū
- B5 Gen'ei
- B6 Sūki